Dragon-Subduing Post: Training the Meridians and Fascia (Spirit Snake Startles Awake, Spiral Surge of Whole-Body Energy!)
The name Dragon-Subduing Post (降龙桩) is taken from the Xìngmìng Guīzhǐ Quánshū (《性命圭旨全书》, The Complete Book of Life and Destiny), specifically the section "Discourse on Subduing the Dragon" (《降龙说》):
The name Dragon-Subduing Post (降龙桩) is taken from the Xìngmìng Guīzhǐ Quánshū (《性命圭旨全书》, The Complete Book of Life and Destiny), specifically the section "Discourse on Subduing the Dragon" (《降龙说》):
"The fire trigram (离, lí) contains jǐ earth within it; it is forcefully called 'dragon.'"
"To subdue it is to restrain the true fire within the heart. When fire’s nature does not flare upward, the dragon can be tamed, and the moment of attaining lead arrives."
This describes the spirit settled internally, while kidney-water rises to curb the fire—this is the meaning of “subduing the dragon” in the tradition’s theoretical framework.
The Xingyi (形意) Dragon-Subduing Post features an external form of twisting the torso and bending the waist, a turned cross-step (拗步, ào bù) stance with the body rotated, both arms expanded into a circle, with the front pushing forward and the rear sinking. It builds external strength in the waist, arms, and legs, and cultivates internal focus, intent, and qi. Training begins with the external form, then moves inward.
"Train the tendons, bones, and skin from the outside; train a single breath from the inside."
First seek a correct, aligned external posture and limb positioning; once that foundation is solid, deepen your practice by focusing internal intent and regulating the breath.
I. Specific Method of the Dragon-Subduing Post:
(1) Start in a standing, feet-together posture. Step your left foot out to the side, roughly one foot’s width from your right, so the space between your feet is about three feet wide. At the same time, lift both hands up from your sides, palms facing upward, until they are level with your shoulders, arms slightly bent. Gaze straight ahead.
(2) Keep your feet planted, and continue moving your hands: bend your forearms to bring your palms together in front of your face, now facing downward, fingertips pointing toward each other. Rotate your fists inward so your palms face outward, thumbs pointing down, hands level with your shoulders. Keep both arms rounded outward, as if holding a large ball.
(3) Pivot on your left heel, turning your left toes outward. Pivot on your right toes, turning your right heel outward. Turn your body roughly 180 degrees to the left. Bend your left leg into a bow stance (弓步, gōng bù); extend your right leg straight with a soft bend, placing most of your weight on your left leg. As you turn left, let both palms gradually open outward. Your right palm rests to the right of your head, right arm rounded, right elbow slightly higher than your shoulder. Your left palm sits behind your left knee, palm facing down, fingertips pointing forward, left arm rounded. Turn your head left, gazing toward your left palm. This is the Left Dragon-Subduing Post. To transition to the Right Dragon-Subduing Post, follow these movements:
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(1) Starting from the previous position or the Left Dragon-Subduing Post, turn your body 180 degrees to the right. Keep your feet planted and twist them in place as you move; let both palms spread and come together in front of your chest, palms facing outward, matching the position from step (2) earlier.
(2) Pivot on your right heel, turning your right toes outward. Pivot on your left toes, turning your left heel outward. Turn your body roughly 180 degrees to the right. Bend your right leg into a right bow stance; extend your left leg straight with a soft bend, placing most of your weight on your right leg. Turn your waist to the right, and let both palms follow the body’s turn. Your left palm rests to the left of your head, left arm rounded, left elbow slightly higher than your shoulder. Your right palm sits behind your right hip, palm facing down, fingertips pointing forward, right arm rounded. Turn your head right, gazing toward your right palm. This is the Right Dragon-Subduing Post.
Closing the form follows the same steps for both left and right variations. First return to the position from step (2) above. Then draw both palms outward, pull your hands inward, and hold them embraced in front of your chest. Next, step your left or right foot back to a standing, feet-together posture, lowering both palms to rest in front of your abdomen. Finally return to full standing posture; the closing form is complete.
II. Key Movement Principles and Requirements:
(1) The opening movements of the post should be slow and soft. Move without pausing, flowing through the sequence in a single, continuous breath, keeping the motion smooth and coordinated.
(2) When you settle into the final held posture, pay attention to the alignment of your hands and arms. Your upper arms should carry a supportive, expanding force (撑, chēng); your lower hands should carry a guiding, pressing force (捋按, lǚ àn); your waist and torso should hold a twisting force (拧, nǐng). Avoid using stiff, clumsy, or brute force. Stay relaxed, while keeping every part of your external form aligned. Keep your chest slightly drawn in, and your head slightly lifted (顶, dǐng).
(3) When first starting the standing hold, breathe naturally. Take time to adjust your posture until it is smooth and correct. Settle your center of gravity properly, then gradually lengthen the time you hold the stance, switching between left and right sides. If you want to hold the stance for longer, you can narrow the distance between your feet slightly, to roughly two feet apart; this will raise your overall stance height, making it slightly easier to hold.
(4) First, maintain the correct external posture, alignment of each body part, and solid structural framework. Then, working from the top of your body down, use gentle intent to gradually relax the muscles in each area—do not force the relaxation. Be careful not to let your posture collapse into slackness (懈松, xiè sōng). This means relaxing only the muscles that are not needed to hold the form: engage only the minimal muscles required to keep your external shape intact. This allows qi and blood to flow freely. Pay special attention to your waist muscles: they must be relaxed, but not limp; sinking, but not stiff. Your twist should have elasticity; your held force should carry a readiness to issue; your relaxation should hold a preparedness for sudden release.
III. Functions and Intent Activity of the Dragon-Subduing Post:
Because the Dragon-Subduing Post uses a wide stance and low center of gravity, it demands significant leg strength, making it best suited for younger practitioners and those with a strong build. Older or less physically able practitioners can modify the posture by raising their stance height and reducing the angle of their body’s twist. The core purpose of this post is to build strength in the legs, waist, and arms’ supportive power. It acts as a supplement and refinement to the Santi Shi (三体势, sān tǐ shì, "Three-Body Posture") standing practice. It effectively trains the legs’ supporting and pushing power, the waist’s twisting and springing power, and the arms’ upward-supporting and downward-sinking power, quickly and noticeably building skill and internal strength.
The twisted torso and bent waist evoke the image of a dragon coiling its body; the arms’ upward support and downward sink evoke straightening the dragon’s form. With your front leg bent and rear leg extended, your body sinks low in the stance, as if you are riding the dragon’s body to subdue it. With each inhale and exhale, your body rises and falls slightly, as if the dragon is thrashing up and down beneath you, and you subdue it with intent alone. This is a practice of mind, not brute force. Always hold the principle “intent is tight, force is relaxed” (意紧而力松, yì jǐn ér lì sōng) in mind, and gradually attune to the sensations in each part of your body. The goal is to feel steady, comfortable, and fully engaged.
In this post, the “dragon” refers to the mind-spirit (心神, xīn shén). To “subdue the dragon” in practice is to regulate both the body and the mind-spirit. Once your movements and posture are set correctly, the first priority is to calm and focus your mind-spirit, and fill your practice with clear intent.
Framework Requirements of the Dragon-Subduing Post:
Stand with your whole body upright. (We use a left-foot-forward stance as the example here.) Step your left foot forward roughly one meter from your right foot. Turn the sole of your front foot as far sideways to the left as possible, keeping your heel firmly planted. Bend your front knee as far forward as you can, keeping it vertically aligned with your front toes. Position your rear (right) foot in a straight line opposite the heel of your left foot. Keep your right leg as straight as possible, sole pressed to the ground, heel slightly lifted. Distribute 70% of your weight on your front leg, 30% on your rear. Take note: your rear leg should form a line as close to parallel with your spine as possible. Lean your shoulders and chest slightly forward, then turn your body 180 degrees to the left (in the direction your front toes point). Your right shoulder and rear hip should be nearly parallel, facing opposite directions. Twist your head and neck to the left, gazing straight at your own right rear heel.
Your right hand is the front hand, palm facing left in a supportive, lifting position (撑托式, chēng tuō shì). Your left hand is the rear hand, palm facing down in a pressing, supporting position (扶按式, fú àn shì). Pull your hands as far apart as you can without disrupting the basic structural alignment. You can practice with either a short or long distance between your front and rear feet. Remember to practice all Yiquan (意拳, yì quán) side-body standing postures equally on both left and right sides!
Key Points of Intent:
In the Dragon-Subduing Post, there are two dragons: one is grasped and held between your two hands, and the other is your own body. The two dragons twist and tangle with each other. The goal is to loosen and enliven the tendons and bones throughout your body, spiraling and rolling in sync with the external dragon, with your head and tail rising and falling in time, sometimes startling upward, sometimes startling downward!
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